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Film clips

A sampler of motion work. With web compression not the best image quality but still glad to be able to share it with you. Happy clicking!

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HOTEL HELICONIA OPENING

As a tropical biologist I fell in love with the Heliconia plant. This was always going to be a personal project, and it took me 14 years to sell. Execs tend to shy away from 50 min of telly focused on a plant.  In the end I’m sure they gave me the money just to get me out of the office! Trying to bring a plant ot life as the focus of a film dictates camera movement of every possible sort. I contacted Steadicam inventor Garret Brown explaining I wanted to charge through the jungle with a hummingbirds POV, a bit like the brilliant “The Return of the Jedi” speeder bike chase through the redwoods he filmed for George Lucas in Starwars. I mentioned, being a wildlife filmmaker, I had very little money to do so. Garret was very gracious and helpful, guiding me through the process on the cheap. The opening combines live action, Steadicam, a sliding aircraft cable dolly and bluescreen. In the end it was a big hit and groundbreaking for a natural history film. Some days we were running 5 cameras – the insitu month long jungle time lapses alone were a significant technical acheivement. It’s still the project I’m most proud of. I’m forever grateful to everyone who assisted during the two years of field production especially my fantastic Costa Rican crew – Jimmy Trejos Camacho, Canudo “Noodles” Mudoz Briones, Gerado Vega Chavarria and camera assistants Ted Giffords, Nick Turner, Michael Dilger. Hotel Heliconia BBC Natural World #HotelHeliconia

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MANDRILL MARCH

For the opening shot of the Mandrill plucking palm nuts I stuffed a 10mm lens right next to the bunch. The big male snatched a few nuts staring me in the eye then grabbed the camera and tried to run off!!!

The Mandrill mass migration had never been filmed before, in fact, it had been seen by very few people. After a month of waiting with cameras at the ready the radio call from the scientific researcher finally crackled ‘their coming’! And it was over in 20 minutes.  BBC CONGO series  Footprints in the Forest

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MANAKIN MOONWALK

To film the disco dance of the Red capped Manakin, you have to find them first. Local’s call them ‘El Stenographo’, due to their loud wing-snapping they sound exactly like the long forgotten typewriter. So we used our ears – as males gather in the jungle treetops to attract the ladies the racket recalls a busy office of yore.  After locating a group of randy males and hoisting up the camera kit & tripod into the trees, I ratchet strapped the lot to a tree trunk, including myself.

A good production backstory on this one. The display happens 45 feet up in the jungle understory where it’s still quite dark photographically speaking and we were still shooting film at the time. Coincidentally Martin Hammond from Kodak GB had just gotten in touch telling me Eastman had a new fast stock rated @ 640 iso called Primetime. He asked if I wanted to have some pre-release test samples. I replied I had a shoot the next week and I’d be delighted – the problem was it was only available in 100 foot loads. Hence I shot this sequence with Nikon still lenses on a wind-up clockwork Bolex – the only camera the NHU had that would take 100ft loads. I can still recall being strapped to a tree 45 feet up for three weeks having to crank up the camera every 40 seconds to shoot the next shot. Good times!

In the end the sequence was quite a hit, re-cut into several big series by different broadcasters as well as going viral plastered all over Youtube with millions of plays.  BBC Battle of the Sexes series #ManakinMoonwalk

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ATTENBOROUGH’S AMBER ANTS

Producer / Cameraman John Aitchinson asked me to film some bits for a project on Amber with Attenborough. He wanted to shoot ants tending scale insects, milking them like cattle, however the scale insects were only 1mm in size.

The sequence had to be shot outside without disturbing them to get the behaviour. We needed to wait over two weeks for a complettely still calm windless day – at this magnification any breeze looked like a tornado making filming impossible. Hence the plant, light, tripod were all braced together with a number of magic arms.  Shot with Zeiss Luminar microscope objectives mounted on my Arri using a focus stage and tilt wedge for positioning. Lighting was with a 400w Joker shot through a water scrim to absorb heat and a 5mm washer wrapped in foil positioned with an alligator clamp for fill.  Amber Time Machine BBC Natural World

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BIG SKY BEARS OPENING

Tracked two bear cubs in the Montana backwoods as they grew up. Over the two years of production there was lots of long lens on this one, myself and fellow cameraman Jeff Hogan were on 800mm most days. My daughter, who was 6 at the time, adored them. She christened them Archie and Luke and was delighted to learn ‘her’ cubs would be on telly. Hard not to be charmed, Archie and Luke are exceptionally endearing. Big Sky Bears BBC Natural World #BigSkyBears

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A FEW FEET

When Canon first introduced DSLRs that could shoot motion it was a major imaging milestone. We tested a 7D as an orginiation camera in this short river study made in the depth of Montana Winter. Good fun it was and glad to say it still plays well. In the end we gave it to Montana PBS who still use it as a local filler. #AFewFeet

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ANDES TO AMAZON

When HD first took off Apple approached the BBC Natural History Unit for some shorts they could use to show off Apple HDTV. HD telly and video streaming was in its infancy and there was very little HD content at the time. As I was in the office the boss told me to make myself useful and produce a few for them. I only shot a few snippets on this the rest is Beeb library. MIP Com short for Apple / BBC Motion

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ANIMAL HOUSE

Finding a active hummingbird nest in the middle of the rainforest jungle is like a neddle in the haystack. Finding one under construction is the Holy Grail! At last we walked right into this female on a trail we used daily. And as luck would have it she had just started web weaving. We dropped everything and started shooting her delicate homemaking. As a cameraman there is no greater thrill than seeing your work paired Sir Davids marvelous voice.  Animal House BBC Natural World

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DAMSELFLY LOVE

Filming around water is always fun. We wanted to film Splendid Damselflies mating, the difficult bit is the entire love affair happens just inches over the water. Keen to shoot some of the sequence high speed I knew Photosconics had recently made a 360fps Super 16mm camera, so I called Alan Neil. He asked just what I was going to do with it –I told him I was going to put it in a stream in France. To which he calmly replied, “how long do you need it”? He added it was the one and only High Speed Super 16 camera in existence and not to drop it in the water.

In France we needed to dip the periscope to get the opening shot of the sequence so we made the usual gaffer tape job… it leaked. The stream cut through wine growing country, miles and miles of vineyards. At an agricultural supply house we bought some tubing used to irrigate the fields – it was perfect, flexible pvc with a 3in ID. We made up a large ‘condom’ with dome port on the end – it worked a treat. I still have it, the vineyard periscope condom has been employed to film salmon, trout and others on two continents.

The Photosconics never fell into the water – but the Cinematography Electronics Precision Speed control did …. twice – a quick trip back to the hotel, circuit boards laid out on the bed, and judicious use of a hairdryer did the trick. I knelt in that stream for over two weeks. My knees ache just thinking about this job. But forget that – get a load of those flo green shorts baby!!  BBC Battle of the Sexes Series

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A MOOSE NAMED MADELINE

I followed a moose calf growing up in Canada for two years – and it took all of two years to get footage of wild moose feeding underwater. Dave Reichert came up with the goods, but it took a full re-breather and a relaxed munching moose to get it in the can. The Moose biologists we were working with were as thrilled as we were – no one had seen their foot long tongue in action. A Moose Named Madeline BBC Natural World  #AMooseNamedMadeline

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CUB CLIMBING

In this clip from Big Sky Bears the cubs are learning to climb trees and jolly good fun it is too. Big Sky Bears BBC Natural World #BigSkyBears

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WHITE TENT MAKING BATS

A clip for Hotel Heliconia introducing you to one of the most fabulous creatures on the planet ~ Honduran white tent making bats. These delightful fluffy mini snowballs are fig specialists, building tents to camp out next to fruiting fig trees. Certianly in the bat top ten! Hotel Heliconia BBC Natural World #HotelHeliconia

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GRIM REAPERS

They seek to lay eggs into heads!!! Frightening Phorids. Enough said. Hotel Heliconia BBC Natural World #HotelHeliconia

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WILD AFRICA

Off the back of the spectacular Wild Africa series a short I produced for Apple / BBC Motion.

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SALMON FALL

Autumn puts Salmon on the move and lights up the forest in spectacular fashion. When I first arrived at this salmon pool a Lynx was peering over the edge eyeing the fish. I watched him for 5 minutes before he quietly walked out of sight. A Moose Named Madeline BBC Natural World #AMooseNamedMadeline

Motion clips © BBC with the exception of ‘A Few Feet’ – do not copy or use without permission

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